The Cold and Distant Oracle is a unique release amongst Midnight Odyssey's vast catalogue.

The idea was to have multiple versions of the same song. The first track is a dark and brooding black metal track. Track two is a neoclassical version. Tracks 3 and 4 are remixes by Death Comes Crawling, one darker, one lighter, and the last track is all of the previous tracks playing together in a chaotic and spiralling mix.

‘Master of the Nebulous Reach’ marks the beginning of a new trilogy, in continuation of the space ambient albums.

However, where those three albums were all done with keys only, I wanted to do something vastly different, and make three albums using guitars only. Taking the foundations of my influences from Tangerine Dream, Klaus Schulze and other Berlin School artists, I wanted to combine it with the dream and ethereal pop of Cocteau Twins and Slowdive, and a slab of shoegaze like My Bloody Valentine.

Covered in effects, endless delays and reverbs and synth pedals, everything you hear is layers and layers of guitars, no keys, no bass, no vocals, purely instrumental music.

Cover artwork by Francesco Gemelli.

MIDNIGHT ODYSSEY is back with “Biolume Part 2: The Golden Orb”, the second part of a trilogy started in 2019 with “Biolume Part 1: In Tartarean Chains.” The new album explores the themes of the sun, set within the context of classical mythology and in continuation from its predecessor.
“Whereas the first part was very much about creating one’s own light in the deepest tracts of darkness, the second part is about being confronted and embraced by nothing but light,” explains sole member Dis Pater. “The sun, Sol Invictus, Helios, the eye of Zeus (including his sister, Eos or Aurora, the dawn) are the light giving and all-seeing purveyors of the day.”
Featuring once again a sumptuous cover painting by Elijah Tamu, “The Golden Orb” tells the story of being exposed to the majestic and searing power of starlight, a burning and unbearable heat, like being chained in a desert. “Like our hot Australian summers,” Dis Pater continues, “it’s a harsh and uncomfortable place of being that brings to mind stories of the desert in ancient near-Eastern mythology and literature. And atop on his golden chariot is the Sun God himself, punishing with heat and thirst, drought and drying winds.”
Musically this is a different style to previous MIDNIGHT ODYSSEY releases. This time Dis Pater's main influences came from the epic heavy metal and doom of bands like SCALD and SOLSTICE (UK), but also from medieval music (such as chant, troubadour and trouveres music) and military style battle horns, with a dose of viking-era BATHORY.
“The album is about being punished for something and undergoing a cleansing of the mind, body and soul,” Dis Pater reflects. “It’s not in the Christian way of going to purgatory to enter heaven, but more akin to being part of an order of things, a natural law in the universe; a power that is balanced, and what happens when unknowingly dislodging that balance. This is about feeling the ultimate wrath of the sun god, and ultimately the complete insignificance of the human existence in the entire terms of universe, galaxy, space and time. We are at the mercy of the sun, life-giver and life-taker. The fires will come closer before they cool, but humanity will be gone by then. We would have long faced our reckoning.”

Ambient only album - the follow up to Ruins of a Celestial Fire.

Purchase the 3CD compilation ‘Echoes of a Celestial Ruin’ at I,Voidhanger’s Bandcamp page at:

https://i-voidhangerrecords.bandcamp.com/album/echoes-of-a-celestial-ruin

This release contains ‘Ruins of the Celestial Sky’, ‘Ashes from a Terrestrial Fall’ and ‘Echoes of the Thalassic Deep’.